Style

The Real Housewives of Moscow
A trained observer of psychology, Alina had made careful note of the strategies that seemed to work for these gazelle-like young women. For example: “A man values a woman...
A Bona-Fide Disco Album That Feels Urgently of the Moment
Many of the paired dances of the twentieth century—the foxtrot, the waltz, the Lindy Hop—reflected the binary gender dynamics of the day: men led and women followed, on the...
Richard Linklater on His Two New Films, “Blue Moon” and “Nouvelle Vague”
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.Richard Linklater...
Donald Wins the War on Crime
He alone can fix it. Source link
Tame Impala Is an Obsessive, Not a Perfectionist
The magic of Parker’s music—what makes his records so restless, dithery, dynamic—hinges on the minuscule yet crucial difference between perfectionism (endlessly boring) and obsession (endlessly interesting). “Everyone thinks I’m...
Nia DaCosta’s “Hedda” Shoots Straight
Wresting “Hedda Gabler” from its theatrical confines, DaCosta effects a major structural transformation with graceful ingenuity: the party, which constitutes the entire field of action, is her invention. In...
D’Angelo’s Genius Was Pure, and Rare
This week, the R. & B. singer D’Angelo died at age fifty-one, of cancer. He was best known for deftly combining the heft and tenderness of soul music with the ingenuity...
Kelly Reichardt’s “The Mastermind” Reinvents the Heist Movie
One of the joys of reviewing movies is witnessing a longtime filmmaker’s artistic breakthrough, as has happened with Kelly Reichardt. A serious director with a principled world view, she...
“A House of Dynamite” Is a Major Misfire from a Great Filmmaker
Little of this plays to Bigelow’s strengths. She has directed at least one screw-tightening nuclear-crisis movie before, the Soviet-submarine thriller “K-19: The Widowmaker” (2002). But, at her best, she...
Do You Know What I Know?
Take your young kid with you as you commute through Penn Station and you’ll find that you have a lot to explain. Walking through the Long Island Railroad concourse,...
Diane Keaton’s Shadows and Light
In Vanity Fair in 1987, Keaton told Joan Juliet Buck, “I was always pretty religious as a kid, but I had trouble with Jesus early on because I couldn’t...
Harry Bliss’s “Cannonball”
For the cover of the October 20, 2025, issue, the cartoonist Harry Bliss wanted to share a recent experience that filled him with joy. “With apologies to my wife,...